14 November 2007

American Gangster (2007)


This is the hit now at every box office in the States. Only this fact made me a bit suspicious about Ridley Scott's epic movie, otherwise every leaked out details enforced my expectations.

American Gangster. That's a statement already. Sounds like The Godfather, the Chinatown or the Gladiator. These titles occupy geographically or grammatically a certain, quite broad area with their clear aim: to visualize, to summarize our views on some wider fields. They stand for some kind of values and common knowledges. They are using and reinforcing these knowledges of ours. They vindicate their place in the history of these knowledges, in the history of film.

And we are not far from this registers: I mean the film is some kind of 'Black Godfather'. I know it sounds very bad, even the cops didn't believe in its possible existence. And this is the point where the movie can work. When we hear the word 'mafia' our associations provide us an Italian Brando- or Pesci-like "pronunciation". But for sure not Denzel Washington. And this way of thinking and a perfect idea give a chance to Frank Lucas (played by D.W.) to organize an invisible crime establishment.
If we have a mob then we need a cop too. Richie Roberts (Russell Crowe) is definitely the most honest cop in the (film) history. He isn't as good as he was last time in the 3:10 to Yuma, but still better than thousand of his obsessed predecessors. They are together can't reach the level of de Niro's and Pacino's couple (I think on this and not this), but they are far good enough to keep your eyes on the canvas for more than two hours.

The story starts in 1968, the time when in its Vietnam background America turns into a "super fucking discount store", when "you can't find a heart of anything". In this level it's unnecessary to talk about the perfectionism of the set, characters and atmosphere. If you have ever played with the GTA then you know what I am talking about. (If not, check this picture from the film:)


Of course you should watch this movie even with its unavoidable problems, which are coming from its – above mentioned – summarizing efforts. 'The dignity in business', 'the importance of family', 'the unbreakable honesty', and my favorites: the "never forget where we are come from"-attitude and the worn-out "This is America"-bullshit. These and many other already exploited topics and their typical words of stereotypical approaches sound quite funny in 2007. Everything is too direct, everything showed and said as it is. But hey, it's shouldn't be a documentary or an Armageddon-like heroic blabber in front of an American flag (don't afraid it isn't)!

I almost gave 7 out of 10, but the (almost) final conversation between Frank and Richie forced me to give one extra point. With this and even more points on the imdb (8.4 on 15-11-2007) this epic movie is maybe overestimated. At least it shouldn't be at the 107th place of the all time best movies, especially not 7 places behind Scott's much universal classic, the Blade Runner.

8/10