Showing posts with label off. Show all posts
Showing posts with label off. Show all posts

20 May 2009

@bobbyperublog

...

bobbyperu came up for air

...

All right, here I am again.
But.
Before opening champagne I'd like to inform you that my return is a one-timer - at least for a while for sure.
But.

I have also good news for you: bobbyperu will haunt you on a new platform! You know: the twitter™ is the new blog, so it's time to listen to the geek winds, and follow me, moreover follow me on my twitter site (if you haven't got twitter account yet, you can create one here within no time).


From now on you'll receive tips and remarks, questions and answers, ideas and theories, evaluations and devaluations, etc. ... Thus you don't have to read my pretentious film or scene analyses but only the pure facts which might help you to decide: should I watch the particular film or shouldn't. So simple. Only 140 characters, I'll blow my mind!



Now it's champagne-time!

10/10

12 December 2008

Maintenance

"My name's Bobby Peru. Like the country."

I know we aren't friends or buddies to share our lifes between each other, but still. Due to a major maintenance in my life (moving from Finland to the Netherlands, changing jobs, plus the usual Christmas visit to another 2 countries) the blog goes offline for a while. 
Be aware, "Bobby Peru don't come up for air!"

See you in 2009! 

10 September 2008

STAND BY: ON


Oops, I forgot to warn you that the blog is going to sleep for a while (I suppose the regular visitors realised this already:)

Hope the best, fingers crossed, and so on - I mean see you soon...

26 July 2008

imdb - the movie (2008)

Sorry for the bad joke - the following meditation is about every movie-buffs Bible, the Internet Movie Database, and its recent problems, how I see them.

For me imdb represents the dreamjob (pity that I'm not a software developer), and was always my most visited site, long time it appeared as a home page when I started my internet browser. A perfect origo, an authentic guideline. But these good, reliable times seems to disappear. Imdb becomes the tool of advertising a movie, to build a hype, to encourage fight between fans and trolls, to ... to earn more money.

This entry was almost necessary, since I complained enough for example here, here, here and here about losing faith in the database's informations. And then came Chris Nolan's The Dark Knight (my opinion is here) which made unavoidable to talk about the recent problems of the site, namely how hype kills the very meaning of its rating system. It's not a question that recent movies are way too over-rated. Just look at my examples. You might explain with this a lot of ways (economically: extremising marketing strategies, sociologically: changing internet audience, plus there are conspiracy-theories about paying for / hacking the numbers), I accept those, but not to react on these changes is the site's fault (except the conspiracy theorists have right: in 1998 Amazon bought the imdb to improve its selling numbers. Do you need a perfect thesis topic: "How changed the Amazon's selling features according to the rates on the imdb?"). Here is a chart about the ratings on imdb by release year of the rated films:


Let's look at the TDK's example. After its appearing in the cinemas it jumped immediately to the first position in the famous imdb 250 list, topple down classics like The Godfather or the - other over-rated - The Shawshank Redemption. And it stays there (at least until today (9.5/10 after 124.766 votes)). What does it mean? Everybody shouts that we have a new all time best movie ever made. No, it doesn't mean this at all. It means that we have a movie which has the most votes approaching the highest available score. I gave several 10 out of 10s before too, but for example I still like Fellini's Otto e mezzo far better than Preminger's Anatomy of a Murder.
So, there are people who gave 10 for TDK, because it's one of their favourite movies. Not the best, but which deserves a 10 among others. This would be the ideal case. But.

The reality says something different. If we don't believe in the above mentioned conspiracy theories we have still a problematic explanation, namely most people gives 10 for the TDK, because they are hypnotised by the unbelievable marketing mechanism of Nolan's otherwise good movie, and last but not least because they are touched by Heath Ledger's sorrowful death (it was funny to see how people cries for an Oscar to Ledger before the premier, which means before they actually seen the film..). Of course there are other people who driven by some inexplicable nostalgy for the(ir) classics vote with a ridiculous 1 for TDK. I suppose they would have vote with 1 for The Godfather in 1972 just to save their precious Citizen Kane's first spot in the non-existing imdb list in the seventies:) (imdb launched on October 17, 1990). Another funny fact that the blind TDK fans - driven by a revenge - started now to vote with 1 for The Godfather and The Shawshank Redemption - to make themselves more pathetic and to spoil our interest in the imdb forever.

That was the cry-part, let's see some hope, a solution if there are at all. What you need is only a reliable source to choose a good movie for the evening (cos' you're supposedly not interested in the fight between the hypnotized fans). Then, sadly I have to say forget the imdb and go for Metacritic.com, the site, where professional (?) film critics' average opinions decide about the films. They have their all time list too, here the 200 best with a rather complicated rating system than the imdb uses (note that TDK isn't among the best 200 (yet), and look, who is on the 2nd spot? Superman II., another superhero!). I almost forget to tell the imdb's formula, here it is, the True Bayesian Estimate:


Ok, we have a reliable source, what is the problem then? The problem is that the Metacritic's database is far from being full. There are several important movies which are missing from the site and among the ratings (after quick try for example Taxidermia / Hawaii, Oslo, / Aaltra / or even as big classics as the cited Otto e mezzo / etc.). That's too bad, go back to the imdb and search for solution there. There is an ingenious idea - not surprisingly emerged after TDK's obscure success. Dalton 1962's idea (appeared among the imdb's message boards on TDK (should I mention that the numbers of messages about TDK beated all the previous records as well?)) is interesting enough to take into consideration: he suggest a double rating system which could "filter our irrational enthusiasm or hate", which would divide the hype from the "real" rating of a certain film. There would be a so called Short Term Voting which would measure the level of a hype (hype-meter?), and on the other hand there would be a Long Term Voting, which would be available approximately 2-3 months after the premier of a movie, and which would tell much soberly about the "real" qualities of the given film. Ok, I see the limits of this idea (a lot of valid votes would disappear in the STV), but I believe it is a good path to approach the solutions for the existing - and growing - problems of reliability of the imdb (more about its history, rating system, and business background see the good ol' wiki).

There isn't any moral at the end of this post since it's long enough already:) Maybe you'll make one point in the comments? Welcome!

08 July 2008

[off]

telegraphese way:

I'm on "holiday". I thought I'm gonna be able to maintain the blog during these days, but it seems that I overestimated myself and my possibilities (3 weeks, 3 different countries, back and forth).

I've been for example In Bruges. This is the view what Ken saw from the tower before he decided to ... 


Watch the film during the suspension of the blog.

That's all. See you soon, when I'm coming back with Nightwatching, Greenaway's "new" (2007) Rembrandt-movie...

19 June 2008

[... nr. 2.]

You might have noticed my efforts writing posts every second day. It had its reason. Yes, I'm leaving again for a while..

I can assure you that the next days in Finland nobody will work. Juhannus, the longest day of the year is coming on Friday, when everybody is leaving the cities heading for the countryside. I'm doing that with friends, too. Moving to Viitasaari, having a mökki at the shore, enjoying the sunny midnight, fishing from a boat, making fire (see the photo) and trying out my personal Kuksa:)

See you next week, have a nice Juhannus, careful with the drinks, and stay tuned!

[10/10]

26 May 2008

[...]

!!!OFF!!!
I'm leaving for a week or something. You know, holiday. 

This one:

Stay tuned - see you soon.

10/10

13 April 2008

Szürkület (Twilight) (1990) "petition" !!!UPDATED!!!

Today I was reading an article about Benedek Fliegauf's short Hypnos, where the young director mentioned among his motivations the best Hungarian film ever made (the opinion is mine, but maybe Fliegauf would agree with me as well). He was talking about the too early died György Fehér's masterpiece, Szürkület (Twilight) from 1990 (another cinematic adaptation of Dürrenmatt's Das Versprechen (next to Sean Penn's The Pledge and basically Joon-ho Bong's perfect Salinui chueok (Memories of Murder))).


If you know / like Hungary's most important contemporary cinematic ambassador's, Béla Tarr's oeuvre, then you should definitely know György Fehér too. If you amazed Tarr's black and blacker images, Jancsó-like (and Antonioni-like) camera-movements, unbelievable suggestive way of story(?)telling, then you will ask the legitimate question: 'How is it possible that such a cinematic genius is hidden in the contemporary film market?" The expression 'market' is a deliberate choice from me: it refers on the reason of this blog entry. It is one thing that nobody knows Fehér's films, the problem is that the Hungarian distributors maintain this situation.

Actually what should we expect from those distributors who until now couldn't publish one of the most important films ever made in Hungary, Tarr's more than seven hours long, cosmic, worldwide known and celebrated (it was Susan Sontag's favourite film) Sátántangó (Satan's Tango) (1994 - four years later than Fehér's film...)? There are some visible efforts on the horizont (some of Tarr's films came out lately), but somehow the most valuable ones are still missing (if you don't want to wait for the impotent distributors, order the 3dvd set Satan's Tango from the UK (only €12,49!!!) here).
Fehér's film actually doesn't exist: you are not able to buy it in any major stores. I had a bad VHS copy what I gave to my film professor as a present. I thought I will buy it sooner or later. That moment was 3 years ago... and now I still can't copy here even the film's poster.

This entry is a small contribution to express my disappointment. I exactly know the small amount of my blog's visitors, that's why in the next days and weeks I'm trying to open discussions about this shameful fact in several filmblogs and -sites. Just for my conscience's-, and your eyes' sake.

10/10

UPDATE:
In the meanwhile I formulated a petition. If you would like to have a chance to see this real masterpiece on DVD, then don't care with the Hungarian sentences but make a signature for the petition! Thanks!

01 February 2008

1000


Sorry, but I couldn't resist. The 1000th click. I know it isn't too much, but don't forget I'm not talking about celebs, politics, sport or music.
Thanks.

25 January 2008

OFF: macbook hd crash

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The title is not about a strange movie, it is the nightmarish reality: my MacBook crashed on the other day, probably the hard drive is completely dead. Luckily I made from the most important part of my work and all the movies a safety backup, but the rest (music, photos and other written stuff) is disappeared forever. R.I.P.

The local Apple retailer promised a new hd next week (they have to order from Eindhoven (NL)!), so until that time the blog is going to sleep (it's not a big fun to work on your hundred years old grandpa pc...).

I hope you will find the way back here,
see you really soon!

-10/10

21 October 2007

1

21st of October, 2007
1:39AM